Immutable Grindcore fury from the US. Landfill is Will Olter from Methlab Explosion, Hot Babes and a few other bands and projects, with Andy of Gonzo favourites Captain Three Leg on Vocal duties for this release only (I belive Landfill change vocalist from release to release). They kick out 10 tracks of raging Grindcore full of hate and piss, thrashing Punk 3 chord Guitar destruction, crusty influence and just a shed load of total fucking rage. Fast and irate. Really genuinely angry sounding shit; a trait common through Will’s various projects. Andy’s angry dad Vocal tops this one off nicely, replete with his usual grump lyrical stylings. Excellent stuff. Suppression are legends and do their thing here with the usual gusto and aplomb; freak sauce Grindcore/Power Violence implosion, weirdo noise(core) atrocities committed on the unsuspecting. Rattling Bass, insane Drumming and Vocal regressions into the reptilian. Blown out recording quality, lots of echo effects, uniquely strange and angry as only Suppression sound. Grab a tape if you can! Indispensable.
Landfill Bandcamp / C.N.P. Bandcamp
Chainsaw Death! 4 tracks of promising Swedish Death Metal, made dangerously by young Americans, sharing members with the excellent Grindcore band Fiend, among others. Savage divebomb solos, horrible flesh ripping Riffs and lowest necro Vocal, tightly played but not clinical or even remotely techy. HM2 guitar pedals, Punk mentality and playing – fast and loose, no triggering or anything here. Savage and necrotic OSDM played right by Punks. This is another of those recent Death Metal demos that received a great deal of hype when it was released, and it’s not without merit. Dig it, Ghouls.
Noisy Crust from Seattle, featuring members of the now defunct and fucking almighty Acid Feast, Tripping Corpse, Hideous Creep and others. D Beats, huge Crusty Guitar tones, lots of mid paced stomping, blast beat parts and wasteland mutant Vocal grunt. The kind of Deathly Crust that tickles my pickle. Loud, blown out and not entirely melodic, noisy and deadly. Boneheaded Crustcore for post-apocalyptic skull collectors; simplistic in the best possible way, no frills, just crusty CRUSH! Cool demo, this one.
2 tracks of Master Crafted Heavy Metal of a very high calibre, made by Punks from various well-renowned Metal and Hardcore Punk bands. Two tracks of galloping poser death; Soaring and kind-of intricate melodies, thunderously simplistic rhythm arrangements, melodious solos and full throated Vocal battle glory, with a sound similar to the older end of Power and Speed Metal. The song craft on display is epic and majestic, but the production is on the more demo side of things, rough hewn yet clearly audible, with the Guitars and Bass in particular battling for space, allowing the bass lines to often dominate (not a bad thing). None of your canned ‘retro’ vibe here either, just Heavy Metal played lovingly by devotees. Ride!
Goof-around, not-very-angry Noisecore made by a couple of silly rabbits, released on Mortville Noise. Totally improvised and recorded in a single sitting – and what a pointless thing it is. It’s brilliant Tardy Noisecore. Hardly distorted Guitars do battle with silly Drumming, with yelling, muffled vocal, hardly any interest in genre beyond the basic, and a free-associative style. Tempos run the gamut from very fast to ponderously slow. Rudimentary, cruddy sounds played for good fun, by the sounds of things, ticking Tardcore boxes left and right. Reminds me a little of Japan’s Huh, with less artistic intent (if that’s possible). Noisy fun for the foolish. Guaranteed to impress your colleagues and peers.
Two piece Backslider from Philadelphia’s 2nd EP. A combo of insidiously clever riffing and brutalist stop start Hardcore Punk of the Lack Of Interest, furiously intense variety. Speed and power, progression-in-hardcore bombast. 5 years ago this would have been labelled Power Violence (perhaps it still would be?) – Backslider have that Hardcore Punk on steroids, stop/start tempo upheaval, hugely influenced by that certain West-Coast sound from the ’90s, that the lazy just love labelling something-violence. Not that it matters; Burly, crushing riffs, pounding and varied rhythms bend you into some sort of crippler cross-face, brutal tuff vocals yelled in your ear from the submission hold. Massive Drum sound battering the shit out of you, and Riffs both complex and caveman arrive and disappear before you can enjoy them. ‘Pain Rock’ is now their sound, an abstraction of Noise Rock with more Riffs and less Noise, and and I like it plenty. But this stuff, and Backslider’s material older than this, is killer shit.
1 track, 6 song EP from local legends We Come First. Ramones-core Punk Rock for the tasteless. Very upbeat chord progressions and tight rhythms, kind-of fast and with influence pulled from stuff like The Queers, with a half-way silly, half-way pissed off sound and an inebriated swaggering vibe. There’s a little old Hardcore influence here too, particularly in the deleriosly cool vocal delivery – dude doesn’t give a fuck and clearly isn’t trying to sound like his hero Joey, and man do these songs benefit. The urgency of the vocal elevates these 6 songs about being drunk, or being hungover, or farting on people (whilst drunk); I recommend drinking 6 beers during your listening experience. What an epic.