RUHAIL QAISAR – ‘FATIMA’

Ruhail Qaisar expands and transmutes his work as previous Harsh Noise entity SISTER into a rumbling, fearsome, semiotic Dark Ambient noise engine on ‘Fatima’, applying an alchemical aesthetic with supremely impressive results. The album yawns open with ephemeral, disturbing spoken word poetry (a drugged voice from Thee End Commune…?) atop lingering Bass pulses like gently threatening Power Electronics in menacing audial feedback. Tension mounts through layering synthesis and a vast array of inert earthy sampling, spatially muddled to obfuscate, bucolic and bubonic, adorned with futuristic science fiction drones and sparse geysers of sulfuric Harsh Noise burst, restrained ambient textures grow and envelop in calming exhalation, mellifluous expanses of abandoned melody… an expression of restless human landscapes draped in fear and violence, at once confrontational and powerful, yet soft and yielding, like a predatory animal purring in an urban darkness, fire reflected in it’s azure feline eyes. Mesmeric and frightening Ambient beyond convenient classification.

Danse Noire

APARTHIVA RAKTADHARA – ‘আ​দ​্​য​া​প​ী​ঠ ম​র​ণ​স​ং​হ​ি​ত​া​’

Kalikshetra sorcery and black death hate from Aparthiva Raktadhara. Makes good the promise of their demented demo, here presenting an absolutely ruthless scroll of ancient, martial Death Metal heresy. Vicious drumming both in execution and style, the frothing fills and lurching double bass groove warped with irreal essence, dry sulphuric Guitars and Bass sounds coalesce in sorcerous, kris-like blade riffs and molten lightning bolt solos, both unorthodox and fervently devotional to archaic forms, searing and scything as war commanding hissing vocal topples pious bodies and desecrates meek souls. The ossuary-dry production accents the aggression, ignoring spooky reverb trends in favour of monolithic, unavoidable deathcrush. There’s a tangible air of Brutal Death Metal here, in the extremely aggressive arrangement and inert recording atmosphere, making for a particularly cruel, violent listen. Hail Kalikshetra Death Metal Shunyata!

Iron Bonehead Productions

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TSALAL / TETRAGRAMMACIDE SPLIT – ‘PACT OF ESCHATOLOGICAL ISLAMIC SPIRITUAL ORDEAL’

Temeritous, unspeakable, anticosmic atomic Noise Metal split from far outside the illusion, released on 10″ wax by Iron Bonehead. Tsalal opens and closes in deliriant deafened noise miasma, impure rudimentary instrumentations obscured by devastating distortion, through this cervical portal opening they burst forth with leaden singularity Black Noise Metal, warped stricken solos rupture vomiting from the broken cosm atop endless blasting and supereon hissing vocal, before collapsing back into the unstable intro/outro vortex. Singular and irreal. Tetragrammacide’s track forges closer to black hole Cybergrinding Black Death, massive coils of meticulous programmed blasts, tumultuous circular riffs and commanding mangled vocal as a complex mandala weapon to strike dead yahweh in a single blow and destroy it’s foetid world of shit for good. A perfect meeting of esoteric outsider aesthete Noise Metal. Smash the Tetragrammaton. Reject the Simulation. Defeat the Demiurge. Delete the Universe.

Iron Bonehead Productions

NECRODEITY / BRAHMASTRIKA SPLIT – ‘PRAETERNATURAL COMMOTIONS FROM KOLKATA MAHA SAMSHANA’

Split 7″ from Necrodeity and Brahmastrika – Insane anti-cosmic DETH Metal from the ever fertile Kolkata underground scene. First up, Necrodeity offers a savage track of blasting Black Death Metal with almost Brutal Death Metal/Grindcore drum dynamics, dry hectic snare blasts front in the mix, merciless riffing cast in ancient obsidian Necrovoric forms of archaic Death Thrash style with babbling, ravenous, devil-tongued hissing vocal delirium, sealed into dry and noisy production. Repugnant, blaspheming. Then Brahmastrika’s contribution to the ritual bombards and saturates with perplexing arrangements of vortex Death Noise Metal, leaning into opprobrious Power Electronics sounds, extra-black carbonisation Noise and irradiated vocal, explosions of coiling percussion with some patches of discernable war riffing. Exceptionally discordant and earbleedingly violent. Killer split – Hail Kalikshetra Raktachakra!

Iron Bonehead Productions

APARTHIVA RAKTADHARA – ‘অজ্ঞাত ঈশ্বর (AGYAT ISHVAR) DEMO 2018’

Sorcerous Black Death Metal from the extremely fertile underground Kolkata scene. Raw, loud and necrotic rehearsal sound, ripping riffs and purging atonal drum cacophony with lots of blast beats, singular and barbaric as fuck, torn throat vocal incantation, a savage, swirling rite of killing Kalikshetra violence! Blasphemous and esoteric, with less Harsh Noise or Power Electronics sounds/influences than many of their contemporaries in their scene. Summons a sound akin to demo era Morbid Angel or Necrovore, who’s ‘Divus de Mortuus’ Aparthiva Raktadhara cover as a bonus track in adoring devotion. A very short and promising demo to activate murderous chakral wizardry and immoral levitation practices.

Bandcamp

Iron Bonehead Productions

NIRRITI – ‘অসূর্যস্পর্শা’

Esoteric Noisecore Black Metal from international project Nirriti, with three members lurking near the event horizon of the Canadian and Indian Black Metal, Power Electronics and Grindcore scenes. Disharmonious cacophony, warfare and ultimately ego death – Stream the anti-cosmic nihility into the third eye chakra – It’s fukken game over! Extremely disruptive and anti-cognizant Black Noisecore from the deathless abyss – sampled worship, field recordings of ritual and performance, chanting, eruption of unstoppable molten blast beats flow like sonic larva, electronically destroyed Guitar sounds channeled into ear splitting, anti-dharmic Noisecore and fuming black psychedelia. Grindcore, Black Metal, Noisecore… a foul, noisy and taxing paradigm indeed. This one isn’t available to download, so stream it below. Nirriti is now invoked…

Bandcamp

Iron Bonehead Productions

TETRAGRAMMACIDE – ‘THIRD WORLD ESOTERRORISM’

Collection of early demo tracks from international and interdimensional entity Tetragrammacide, varying in sonic quality but cohesive in it’s esoteric godkilling intent. Noisecore ritual barbaric war Noise Metal of Death. ‘Authentic Kalikshetra Metal of Death, dedicated to all diseases, plagues, genocides, rapes, murders and murderers!’ – Kalishektra Sadhu cosmic malignancy – maniacal possession glossolalia vocal wipeouts, lazercannon Guitar/Bass third eye decimation, chasmic blast beats and waves and waves of destroyed electronic Noise, distant rehearsal room amplifier explosions, total chaotic nuclear devastation – conjuring a deity-killing blow of savage War/Black Metal, Power Electronics and Noise born of deicidal intent and apocalyptic Armageddon esoterrorism. Smash the Tetragrammaton.

Bandcamp