VARIOUS ARTISTS – ‘PERIHELION INFINITE’

Disinclined to toe the self-limiting line of genre fundamentalism, Brooklyn-based imprint Ohm Resistance may be a broad church, but the primacy of bass over all other sonic prerogatives is, and always has been, its raison d’être. The fourth, and apparently final, instalment in OR’s annual sampler series, ‘Perihelion Infinite’ is a comprehensive showcase of the label’s lurid, low end-led aesthetic, featuring sixteen exclusive tracks (un)lovingly crafted to rupture every gas main within a 9-mile radius. Despite the occasional nod to stylistic orthodoxy (‘Subterranean’ by Metalheadz stalwart Jaise is a case study in drop-forged industrial jungle), the majority of these beasts are defiantly chimerical; scaly, multi-appendaged hybrids with their gaze fixed firmly on the future. Atsushi Izumi’s ruthlessly overdriven ‘Casaurius’, for example, fuses drum & bass and techno at the spine whilst a cannonade of scimitar-sharp breaks ensures the happy hardcore sugar rush of DrillBasser’s ‘Even’ leaves a distinctly sour aftertaste. Elsewhere there are forays into critical mass post-dubstep (DEFCE’s suffocating ‘Pain Centers’) deconstructed breakcore (the alarmingly vertiginous ‘Eat Sleep Repeat’ by Belfast belligerents Slave To Society) and even Emeralds-esque kosmische (Bob Rogue’s luminescent ‘Asteroids’), but the predator at the apex of this sub-chomping food chain is Sagana Squale’s nightmarish ‘Blood Goddess’, a paranoia-wracked bolus of malice aforethought trip-hop Portishead would have killed to concoct. Embrace the bass.

Ohm Resistance

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